DISCOVER YOUR ITALY offers best travel resources to Italy for discerning travellers

FuorItinerario-Discover Your Italy is a professional Tour Operator specialized in offering original and innovative travel packages to Italy. Their goal is to show you the “real Italy” through the eyes of the Italian people rather than those of the typical “tourist.” The agency is specialized in Italian travel and being based in Italy, it is best positioned to provide discerning travelers with the best tailor-made travel opportunities and information about Italy.

Tour operator Discover Your Italy has added to their website enriched contents to provide potential travelers with more information on travel opportunities in Italy. Discover Your Italy now includes a new Discover Italy section with detailed information about holiday opportunities in different areas of Italy. The page is designed to provide information on regions of Italy to visit. The section is also complemented with in depth articles about Italian lifestyle, art and culture for offering additional insights about Italy to anyone planning an unforgettable Italian vacation.

To continue providing the best possible all-encompassing service Discover Your Italy constantly updates their EVENTS section with the best festivities currently going on in Italy that range from art shows to musical concerts to food festivals.

Coming soon: brand new tours to Umbria and Sicily for 2012! Meanwhile anyone interested can look at the Discover Italy section for more background information on the two areas, along with beautiful photos of the places that will be included in the itineraries of the tours.

Take advantage of the online feature START YOUR TRIP REQUEST and describe your dream trip to Italy. A Travel Consultant will promptly contact you with proposals suggestions and ideas even for the most complex trips to Italy in order to purchase exactly what you were looking for.

Please CONTACT DISCOVER YOUR ITALY and just give us your wish list of what you want to see in Italy: we will design your perfect Italy Tour!

BASILICA of SANTA CROCE: FRESCOS UP CLOSE 2011-2012

July 4, 2011 5:00 pmtoMay 1, 2012 5:00 pm

Basilica of Santa Croce: Frescos Up Close

The Basilica of Santa Croce, in Florence, is one of the most beautiful and renowned churches in all of Italy. Built in 1385 the Basilica shows gothic architecture at it’s best and is a great sight from the outside. Inside it offers breathtaking Frescos by Agnolo Gaddi, which are truly unique to this church. The main Frescos are in the Cappella Castellani. The Frescos have a narrative cycle, which visually tells stories of St. Anthony, St. John and St. Nicola. The church is keeping its label of “under restoration” until May of 2012, and oddly enough that is the reason why you should visit the church! Scaffolds are up around the church and guided tours on the scaffolds are being offered to give visitors a better view of Gaddi’s masterpieces. This truly unique opportunity allows visitors to see the Frescos up close and be to explore all of the intricacies. This is a limited offer and an offer that one should not miss out on because these are truly some of the best works of religious art in the whole world, to see them up close is truly a breathtaking sight.

The scaffolds will be open for tours until May of 2012.

For a video on this opportunity, click here.

COUSCOUS FESTIVAL-San Vito lo Capo 2011

September 20, 2011 6:00 pmtoSeptember 25, 2011 11:00 pm

Couscous Festival-San Vito lo Capo

In San Vito lo Capo, on the Northwestern tip of Sicily, there a couscous festival takes place each September. The festival is solely dedicated to couscous and includes weeklong celebrations in which some of the best couscous in the world is eaten, a truly unique and worthwhile experience. The couscous that is showcased is typical of this part of Sicily with an obvious Arab and North African influence of course but still with it’s own dishes inspired by other Sicilian foods. Also at night free concerts take place under the magnificent night sky. At the festival there will be true cross-cultural experiences due to the amount of people that come from all over the world. You will also be able to experience the lovely San Vito lo Capo and it’s splendid beaches during a truly beautiful time of year.

This year the event will take place starting on SEPTEMBER 20 until SEPTEMBER 25.

Andrea Palladio: Italian Architecture At Its Finest

A poetic shaper of Italian and world architecture, his spatial compositions are fluid, magical, and alive. And his is an exceptional case—there is no other type of architecture so closely tied to a single name. It’s the case of Andrea Palladio.

I’m on my way to Vicenza. Instead of the nameless, monotonous highway, I decide to take a smaller road that passes through the countryside. The undulating landscape is carpeted with multihued fields that, when bathed by the rays of the sun, take on subtle nuances of color. Suddenly, my eye is caught by a stretch of land on the horizon that seems more pronounced. I turn the car toward it and approach little by little until the picture becomes clearer. The line suspended at the horizon is underpinned by a magnificent complex of arches, verandas, and columns above which rises the graceful slopes of a dome. Then I see the pediment, the statues, the staircase…. It’s an extraordinary spectacle. Not only am I captivated by the sheer massiveness and grandeur of the structure, I am enchanted and seduced by the synthesis of the perspectives and wonderful harmony of the dimensions. I haven’t got the shadow of a doubt: it’s a villa designed by Andrea Palladio. His architecture changed first the face of Europe, then crossed the Atlantic and defined American architecture. Perhaps one could say that his work was the first real export labeled “Made in Italy.”

In terms of his importance in the history and development of western architecture, Palladio really has no equal, not even in Bramante or Michelangelo. The White House in Washington, the Queen’s House in Greenwich, many fine structures in London—there are an infinite number of residential buildings in the world that are inspired by the Italian genius of Andrea Palladio. And perhaps the most interesting aspect of this great artist today, particularly this year when so many events are planned for the 500th anniversary of his birth, lies precisely in the modernity and the relevance of his thought and his work.

How is it possible that the son of Pietro della Gondola, a simple miller, went on to become the most famous architect of the last five centuries? It so happened that when he was thirty years old, Andrea di Pietro della Gondola, a humble stone mason from Padua, met the aristocratic writer and amateur architect Giangiorgio Trissino who, recognizing the young man’s potential, became his patron. It was also Trissino who gave Andrea the name of Palladio and who took him to Rome, where Andrea was able to admire the imperial monuments and study the construction techniques and spatial relationships of the impressive classic buildings that he loved. His destiny also included meeting his great contemporaries: Michelangelo, Raphael, and Bramante.

Commissioned by some of the most powerful families in the Veneto region—art lovers who were eager to invest the wealth they’d accumulated through their trades in the East—Palladio began to build a series of delightful country homes. His task was to combine the aesthetic requirements of his aristocratic patrons with the functionality they needed for their agricultural enterprises. And thus was born a new type of architecture—that wonderful center of living and business that is the modern agricultural villa. It was in this original image and style that the Villa Emo, Villa Badoer, Villa Barbaro, Villa Foscari, Villa Corner, Villa Capra, and many others were constructed, each named for the family who owned it.

But Palladio’s work was not limited to villas; he also built mansions, churches, theatres, and public buildings. For him, form and function did not necessarily go hand in hand; each type of building was represented by a layout meant to be interpreted freely, rather than a model meant merely to be copied. Hence the immense, bright rooms designed for religious rites inside San Giorgio Maggiore in Venice and, outside, the play on space that recalls the iridescent domes and the narrow bell tower of the Basilica of San Marco, silhouetted in the distance.

And hence, in Vicenza, the Teatro Olimpico, the Basilica, and the Loggia del Capitano, where the ancient classic was not a mere model but rather a borrowed and refined ideal. Rich with subtle shades of color, the horizontal and vertical elements of these buildings form the base of their great conceptual clarity.

And hence once more the urban buildings whose size and materials, rather than create a showy display of wealth and power, transmit the sense of a universal space in their open, extended structures and the distinct play of light and shade on the slender columns and recessed arches of the main façade. From street level the buildings on either side, with their first-floor base lines running along the horizon, can appear as two separate buildings or just one splendid structure creating a “building” out of the very street—the facades become the walls and the sky the ceiling.

And if Palladian facades seem like paintings hung in an urban gallery, the villas seem like well-placed ornaments hung on the branches of the landscape. The defined architectural form of a Palladian structure becomes an integral part of the boundless space of nature, creating a harmonious and perfectly balanced relationship—from the monumental entrance to the simple rustic shapes and the grace with which the side buildings unfold like wings into the natural space, their lines extending to the parks and gardens beyond and connecting the architecture to the hills and surrounding woods.

The villas, like most Palladian buildings, are often painted by alternating slight gradations of the same color or by matching the tones of the natural stone and the intensity of the light—devices specifically used so as not to bore the eye with chromatic monotony. And this is to say nothing of the frescoes inside. The partnership of Palladio and the painter Paolo Veronese resulted in architectural and pictorial elements that mutually support and complement one another. An association between an architect and a painter was never so harmonious and fruitful.

There are dozens and dozens of monuments and Palladian villas scattered throughout the Veneto region, a truly immense wealth of art. Most of the villas are open to the public, some are hotels, and others are prestigious wineries. The extraordinary thing is that as you approach one, you see yet another in the near distance. There are at least thirty-nine works in Vicenza and the surrounding area alone. These buildings, as well as the entire historic center of the city, also shaped by the genius of Palladio, left a definitive mark on the architecture of the 1500s and of the subsequent centuries, and still dictate the rules of urban planning in most European countries and worldwide—so much so that in 1994 Vicenza was proclaimed a UNESCO World Heritage Site.

Simply reading about the architecture of Palladio is to gain an imperfect knowledge. One must see his work in person to truly appreciate its marvels—the sumptuous building complexes, the grandeur of the imposing buildings, the harmony of scale, the synthesis of perspective and symmetry, the elements that reach into and shape space, and those that retreat into themselves to form recesses dappled with fantastic shadows. Only then can one grasp the magnitude and originality of this extraordinary artist and experience the feelings that inspired the history of world architecture.

Pasta Bucatini Alla Matriciana Or All’Amatriciana?

Matriciana or Amatriciana, that is the question. A principal dish of the Roman kitchen, it occupies one of the top positions among Italian culinary specialties. But among the “scholars” on the subject there is some disagreement about the plate’s true origin.

Bucatini alla Matriciana is one of the oldest dishes of the Italian tradition (possibly dating back to the Roman Empire), and it appears that it’s even on the waiting list for certification as a typical product of Italy—along the lines of the Neapolitan Pizza and Abbacchio (Roman-style lamb). Or, perhaps better, just like Guanciale (salt-cured pork jowl that is not smoked and is sweeter and more tender than pancetta) and Pecorino Romano (sheep’s milk cheese; the Romano variety is saltier and firmer than Pecorino Sardo and Pecorino Toscano), two of the main ingredients of this famous recipe.

The origin of this renowned pasta, however, is the stuff of legends, and the very name is still the subject of numerous discussions and interpretations.

The players on each side of the debate (Matriciana vs. Amatriciana) advance theories that call into play obscure Latin terms, special herbs, particular customs, and ancient cooking vessels—but the fact remains that the true origin is unknown.

The most famous debate on the subject pits the supporters of Roman Matriciana origin against the supporters of Amatriciana origin, named for the town of Amatrice. Oddly enough, Amatrice was once located in the province of Aquila in the region of Abruzzo, but is today located in the province of Rieti in Lazio (the region of central Italy where Rome is located).

It is said, in fact, that shepherds from the area bordering Abruzzo grazed their flocks in the Roman countryside and devised the recipe by combining the only ingredients they had on hand—namely pecorino cheese, pasta, and guanciale. When winter came, the shepherds made their way to Rome to take refuge from the harsh mountain climate, and subsequently introduced the dish. The Romans then adopted the recipe and added the tomato.

Tradition also has it that there was no love lost between the Romans and the Amatricians, a fact that greatly contributed to an ongoing dispute rather than to a peaceful and definitive explanation.

In reality, there is a considerable difference between the two recipes—the Matriciana includes both tomatoes and onions, while the Amatriciana has neither. It should also be noted that the Amatriciana was originally prepared with spaghetti, while the “Romanization” of the dish saw the pasta replaced with bucatini, a type of long hollow pasta whose very form has made it notoriously “dangerous” to suck into one’s mouth.

Nevertheless, suffice it to say that the inhabitants of the small mountain town of Amatrice still argue energetically that the Amatriciana gave birth to the more sophisticated version prepared in the capital, and thus have erected a sign at the entrance to the town that commemorates it as the “City of Spaghetti.” To further validate its claim, the town celebrates the Festival of Spaghetti all’Amatriciana every year at the end of August. In recent years, revelers at the festival have consumed an average of 3000 pounds of spaghetti and tomatoes, 1100 pounds of guanciale, and 800 pounds of pecorino cheese.

This year marked the event’s 42nd incarnation. For the occasion, and in an unusual move, the Italian Post Office issued a stamp dedicated to the Amatriciana Festival—perhaps with an eye toward settling the dispute once and for all?

But the chefs in Rome aren’t yet ready to concede the point and still proudly lay claim to the origin of the dish, arguing that Matriciana was born in a Roman restaurant called, in fact, The Matriciano. And not to be outdone by their rivals, Rome and its neighboring towns hold yearly festivals of their own at which the Bucatini alla Matriciana is the first dish on the menu.

Even as the debate rages on, new variations on the official recipe continue to flourish: there are those who suggest the addition of vinegar, those who use garlic instead of onions, others who substitute red wine for the white wine, and still others who add a dash of cream and ginger—perhaps one day they’ll also propose a Matriciana with parmesan instead of pecorino?

Despite all the creativity the dish inspires, there is still just one real recipe for Bucatini alla Matriciana: onions, tomatoes, white wine, pecorino romano, perfectly cubed and barely browned guanciale (not bacon!), and bucatini.

We must also remember that some historians of Italian cuisine call Bucatini alla Matriciana the “whistling dish” because if you suck the sauce-covered bucatini into your mouth with too much enthusiasm, the hole in the pasta emits a distinct whistle—not very elegant, but definitely entertaining.

Whether you whistle or no, keep an eye on your ties, shirts, and blouses because bucatini is unforgiving!

The Recipe

BUCATINI alla MATRICIANA

INGREDIENTS (SERVES 4):

1 lb. (500 g) bucatini pasta

2 lbs. (1 kg) peeled ripe tomatoes, seeded and chopped

¾ lb. (300 g) guanciale or pancetta, diced into 1/2-inch cubes*

2 cups pecorino cheese, freshly grated

1 hot pepper, whole or seeded and shredded

extra virgin olive oil

PREPARATION:

Heat some oil in a skillet and add the diced guanciale. Stir and cook until lightly browned. Add half of the hot pepper and let cook with the meat for a few minutes. Add the tomatoes and cook on medium heat, stirring occasionally. Let the sauce simmer until it reaches a creamy, homogenous consistency. In a large pot, bring the pasta water to a boil, add salt, and cook the pasta. Drain the pasta when it is still slightly al dente. Take the sauce off the fire and turn the pasta directly into the skillet. Add the grated pecorino and stir it all together. Pour onto a serving plate and serve immediately.

*Guanciale is salt-cured pork jowl and is the traditional meat used in amatriciana sauce. If you cannot find it, pancetta can be used instead. Bacon does not make a good substitute because it is smoked and contains sugar.

“SAGRE” in UMBRIA 2011

July 4, 2011 2:00 pmtoSeptember 4, 2011 11:00 pm

“Sagre” in Umbria

Each summer the region of Umbria has various food festivals in different parts of the region known as Sagre.  A Sagra is a traditional local festival with gastronomic stands, entertainment and music. Every week throughout the summer there are multiple Sagre going on and each has a different food theme to it. The themes include Truffle, medieval foods (foods without potatoes or tomatoes), fish, beer and many more.

The Following is a list of some of this season’s remaining Sagre.

July 8-17: Truffle Sagra in Ripa

July 8-10 & 15-17: Trout Sagra in Scheggino

July 14-25: Beer Sagra in Schiavo

July 15-24: Chili Pepper Sagra in Pila

July 21-31: Wild Boar Sagra in Migliano

July 28-August 7: Sheep Sagra in Porano

July 29-August 7: Goose Sagra in Bettona

July 30-August 8: Polenta and Sausage Sagra in Carbonesca

August 5-15: Ice Cream Sagra in Massa Martana

August 12-21: Mushroom Sagra in Pianello

August 18-28: Bilberry and Fruits of the Forest Sagra in Papiano

August 26-September 4: Asparagus Festival in Colombella

FOR MORE INFORMATION ON ITALIAN CUISINE AND CULTURE CLICK HERE.

NERONE EXHIBITION AT THE COLISEUM

April 1, 2011 12:00 pmtoSeptember 18, 2011 12:00 pm

Nerone exhibition at the Coliseum

One of the most renowned, maligned, most talked about and most mysterious protagonists in ancient Roman history, Emperor Nerone, will have a show dedicated to him in Rome’s coliseum during the summer of 2011. Nerone is best known for having been the “crazy” Emperor that “set Rome on fire.” Thousands died because of this deed and it is said that Nerone took advantage of this so he could build his famed residence: Domus Aurea. However modern historians who say he may not have been the mastermind behind the great Roman fire have put this into debate.

The exhibition analyzes Nerone’s life and shows there was much more to it than just that July night when the city went up in flames. Wonderful sketches and primary documents of his life are included which give us a true insight into the life of one of the most controversial leaders of the Roman Empire. There are letters, journal entries and models of his residences which are truly amazing sights.

In this show a man of many faces, that of the “people’s Emperor,” which he was known for up until he became known as a villain for the great Roman fire, gives us a wonderful insight into Roman history while within the most spectacular Roman ruin, the Coliseum.

A show that is definitely worth seeing, it runs until September 18, 2011.

For more information on Rome’s fascinating attractions and sights click here.